Thursday, February 26, 2009

Elegy

Elegy Written in a Country Churchyard by Thomas Gray


1The curfew tolls the knell of parting day,
2 The lowing herd wind slowly o'er the lea,
3The plowman homeward plods his weary way,
4 And leaves the world to darkness and to me.

5Now fades the glimm'ring landscape on the sight,
6 And all the air a solemn stillness holds,
7Save where the beetle wheels his droning flight,
8 And drowsy tinklings lull the distant folds;

9Save that from yonder ivy-mantled tow'r
10 The moping owl does to the moon complain
11Of such, as wand'ring near her secret bow'r,
12 Molest her ancient solitary reign.

13Beneath those rugged elms, that yew-tree's shade,
14 Where heaves the turf in many a mould'ring heap,
15Each in his narrow cell for ever laid,
16 The rude forefathers of the hamlet sleep.

17The breezy call of incense-breathing Morn,
18 The swallow twitt'ring from the straw-built shed,
19The cock's shrill clarion, or the echoing horn,
20 No more shall rouse them from their lowly bed.

21For them no more the blazing hearth shall burn,
22 Or busy housewife ply her evening care:
23No children run to lisp their sire's return,
24 Or climb his knees the envied kiss to share.

25Oft did the harvest to their sickle yield,
26 Their furrow oft the stubborn glebe has broke;
27How jocund did they drive their team afield!
28 How bow'd the woods beneath their sturdy stroke!

29Let not Ambition mock their useful toil,
30 Their homely joys, and destiny obscure;
31Nor Grandeur hear with a disdainful smile
32 The short and simple annals of the poor.

33The boast of heraldry, the pomp of pow'r,
34 And all that beauty, all that wealth e'er gave,
35Awaits alike th' inevitable hour.
36 The paths of glory lead but to the grave.

37Nor you, ye proud, impute to these the fault,
38 If Mem'ry o'er their tomb no trophies raise,
39Where thro' the long-drawn aisle and fretted vault
40 The pealing anthem swells the note of praise.

41Can storied urn or animated bust
42 Back to its mansion call the fleeting breath?
43Can Honour's voice provoke the silent dust,
44 Or Flatt'ry soothe the dull cold ear of Death?

45Perhaps in this neglected spot is laid
46 Some heart once pregnant with celestial fire;
47Hands, that the rod of empire might have sway'd,
48 Or wak'd to ecstasy the living lyre.

49But Knowledge to their eyes her ample page
50 Rich with the spoils of time did ne'er unroll;
51Chill Penury repress'd their noble rage,
52 And froze the genial current of the soul.

53Full many a gem of purest ray serene,
54 The dark unfathom'd caves of ocean bear:
55Full many a flow'r is born to blush unseen,
56 And waste its sweetness on the desert air.

57Some village-Hampden, that with dauntless breast
58 The little tyrant of his fields withstood;
59Some mute inglorious Milton here may rest,
60 Some Cromwell guiltless of his country's blood.

61Th' applause of list'ning senates to command,
62 The threats of pain and ruin to despise,
63To scatter plenty o'er a smiling land,
64 And read their hist'ry in a nation's eyes,

65Their lot forbade: nor circumscrib'd alone
66 Their growing virtues, but their crimes confin'd;
67Forbade to wade through slaughter to a throne,
68 And shut the gates of mercy on mankind,

69The struggling pangs of conscious truth to hide,
70 To quench the blushes of ingenuous shame,
71Or heap the shrine of Luxury and Pride
72 With incense kindled at the Muse's flame.

73Far from the madding crowd's ignoble strife,
74 Their sober wishes never learn'd to stray;
75Along the cool sequester'd vale of life
76 They kept the noiseless tenor of their way.

77Yet ev'n these bones from insult to protect,
78 Some frail memorial still erected nigh,
79With uncouth rhymes and shapeless sculpture deck'd,
80 Implores the passing tribute of a sigh.

81Their name, their years, spelt by th' unletter'd muse,
82 The place of fame and elegy supply:
83And many a holy text around she strews,
84 That teach the rustic moralist to die.

85For who to dumb Forgetfulness a prey,
86 This pleasing anxious being e'er resign'd,
87Left the warm precincts of the cheerful day,
88 Nor cast one longing, ling'ring look behind?

89On some fond breast the parting soul relies,
90 Some pious drops the closing eye requires;
91Ev'n from the tomb the voice of Nature cries,
92 Ev'n in our ashes live their wonted fires.

93For thee, who mindful of th' unhonour'd Dead
94 Dost in these lines their artless tale relate;
95If chance, by lonely contemplation led,
96 Some kindred spirit shall inquire thy fate,

97Haply some hoary-headed swain may say,
98 "Oft have we seen him at the peep of dawn
99Brushing with hasty steps the dews away
100 To meet the sun upon the upland lawn.

101"There at the foot of yonder nodding beech
102 That wreathes its old fantastic roots so high,
103His listless length at noontide would he stretch,
104 And pore upon the brook that babbles by.

105"Hard by yon wood, now smiling as in scorn,
106 Mutt'ring his wayward fancies he would rove,
107Now drooping, woeful wan, like one forlorn,
108 Or craz'd with care, or cross'd in hopeless love.

109"One morn I miss'd him on the custom'd hill,
110 Along the heath and near his fav'rite tree;
111Another came; nor yet beside the rill,
112 Nor up the lawn, nor at the wood was he;

113"The next with dirges due in sad array
114 Slow thro' the church-way path we saw him borne.
115Approach and read (for thou canst read) the lay,
116 Grav'd on the stone beneath yon aged thorn."

THE EPITAPH
117Here rests his head upon the lap of Earth
118 A youth to Fortune and to Fame unknown.
119Fair Science frown'd not on his humble birth,
120 And Melancholy mark'd him for her own.

121Large was his bounty, and his soul sincere,
122 Heav'n did a recompense as largely send:
123He gave to Mis'ry all he had, a tear,
124 He gain'd from Heav'n ('twas all he wish'd) a friend.

125No farther seek his merits to disclose,
126 Or draw his frailties from their dread abode,
127 (There they alike in trembling hope repose)
128 The bosom of his Father and his God.

This elegy in located in a graveyard as the sun sets and leaves the speaker in darkness. He speaks of the sounds and activity of the night, but how "No more shall rouse them from their lowly bed". Not only will they never be awakened, but, more importantly,they will never be allowed to live the lives they once had. Never will they be granted the ability to love, to play, to go about daily activities that in life seemed so trivial, but in death seem worth so much more. The speaker continues to say how the lives of the dead were spent trying to gain as much physical possessions as possible, and in death it seems as if "Ambition mock their useful toil" and "Grandeur hear with a disdainful smile,"two things he wishes were not true. Such is true because "The paths of glory lead but to the grave," all that is gained throughout life can not be taken with one when they die, but is left behind and useless. The speaker realizes that those who are now dead may have lived grand lives, but now they are simply all alike. Elaborate gravestones with praise written upon them will do nothing for the dead, will not be able to bring them back to life, but simply relate back to the once glorious life of it's owner. However, death does suppress the secrets of their past lives.

5 comments:

Lisa Bourgeois said...

Why did the author include the epitaph at the end of this elegy? How does doing so help emphasize his point?

Michaela said...

I think that the epitaph almost serves as a summary to the elegy. It touches upon the main points from the elegy that Gray wants to emphasize. Like Lauren said, it is more specific, but in reality is still general. This contradiction supports the point that in death, everyone becomes equal, thus why the epitaph does not offer specifics about the anonymous person who was "to Fame unknown." The reason for this is revealed in the third stanza of the epitaph, which rounds out the whole poem: when one dies, both their "merits" and "frailties...alike in trembling hope repose" and no longer matter.

kerrym7 said...

The line "a youth to Fortune and to Fame unknown" in the epitath sharply contrasts the dark mood of the first twenty lines. The first lines talk about death as if it is the absolute end with the imagery of the dark shadows. However, the epitath speaks of death in a hopeful light. Furthermore, I agree with Lauren's point that the author is saying death allows everyone to be equal. Like Michaela said, it is like a summary to the elegy.

Fig said...

I agree with Michaela, in that the epitaph serves as a sort of summary for the rest of the poem. I think the purpose of it is to separate the life from death. As Lisa pointed out the changes from life to death, I think that having the epitaph emphasizes that point. Things that seemed trivial before such as daily activities increase in importance as death makes people realize how fleeting these activites really are.

Fig said...

i have to post to log in...